Spartacus became one of the key figures Soviet dramaturgy in 1920s. He was presented as only ancient predecessor Bolsheviks and his theatrical image significantly shaped later icon gladiator a brave leader oppressed masses hero acting name proletariat. This article explores early theater mass performance outlines correlation between template Spartacus’ portrayal, Raffaello Giovagnoli’s novel Sp...

The bulk of critical works on August Strindberg’s Father use biographical material and misogyny to assert the struggle between sexes in Captain’s tragic victimization by his domineering wife, Laura, while a few other have presented play as dramaturgy for power an aristocratic man bourgeoisie wife. Following Foucault’s approach power, this paper argues that although both Laura Captain actively p...

transcendence – trance ’n dance is a poetic-political performance which explores the power of dance as tool bodily reappropriation and state heightened awareness. It critique to body gender oppression we are subject within this colonialist, patriarchal capitalist society. The piece depicts sonic battle between set loudspeakers drum circle. I am mediator ...