Now that it’s easy to get multiple channels of sound into and out of a computer with pretty low throughput latency (thanks partly to the well-designed linux operating system), an obvious and attractive application is signal-processing an electric guitar separately string by string. This permits a wide variety of non-linear processes which, if properly designed, preserve the periodicity of the i...

Automated music composition and algorithmic composition are based on the logic operation with music parameters being set according to the desired music style or emotion. The computer generative music can be integrated with other domains using proper mapping techniques, such as the intermedia arts with music technology. This paper mainly discusses the possibility of integrating both automatic co...

The Internet enables us to freely access music as recorded sound and even music scores. For the visually impaired, music scores must be transcribed from computer-based musical formats to Braille music notation. This paper proposes a transcription system from the MusicXML format to Braille music notation using a structural model of Braille music notation. The resultant Braille scores inspected b...

Evaluating computer music research from the system point of view has not been established because of the subjective nature of music. In order for such research areas to evolve and prosper, we believe the evaluation method based on objective understanding is essential. We started and propel RENCON (performance rendering concours), a world-wide-landmark-project tobe, in order to seek and propose ...

We are interested in exhibiting our programs at your demo section at the conference. We believe that the subject of your conference is precisely what we are experimenting with in our musical software. INTRODUCTION IXI software is a network of experimentalists in the field of computer music and computer music software. We produce various types of work in our studios but we are mainly concerned w...

Discussion of time in interactive computer music systems engineering has been largely limited to data acquisition rates and latency. Since music is an inherently time-based medium, we believe that time plays a more important role in both the usability and implementation of these systems. In this paper, we present a time design space, which we use to expose some of the challenges of developing c...

This paper describes how computer-based music technology has become an established aspect of the contemporary music industry and some education settings. Although to date there has been little use of computer music technology in the early years of schooling, recent developments in the scope and quality of software are providing new opportunities for children’s learning. Through such programs, c...