sense; the plot qua καθόλου is no particular play, but the general form of any number of dramas. The subsequent plot summary of Iphigenia among the Taurians (1455b3-12) confirms this sense of καθόλου as the form of the plot; Aristotle’s description excludes specific episodic details such as names and places, and is so concerned with the abstract organization of events that it even posits that t...