Panamanian composer Roque Cordero (1917-2008) is known for his use of twelve-tone technique but also the incorporation music into compositions. However, methods doing so have largely remained unstudied. This article examines methodic juxtaposition dodecaphonic and elements in Cordero’s Rapsodia Panameña (1988) unaccompanied violin. An analysis work, informed by a survey traditions previous work...