The cinematic landscape provides a rich opportunity to explore cultural representations of place, space and nature. This essay focuses on the depiction of landscape in Michelangelo Antonioni’s Red Desert (1964). Previous approaches to the critical interpretation of landscape in the cinema of Antonioni have been characterized by three principal weaknesses: a narrow emphasis on formalist and aute...

Neste artigo, a obra do escritor brasileiro João Gilberto Noll (1946-2017) é investigada seguindo o fio condutor conceito de sublime. Além da acepção mais conhecida, algo elevado, sublime também comporta ilimitado, como força que domina e abala, no limite abjeto. A escrita linguagem, estilo onde se situa, prioriza as palavras os efeitos seus arranjos linearidade conteúdo. Nesse sentido, sua dem...

Beyond Classification: The Machinic Sublime (BCMC) emulated an academic roundtable discussion with the authors and 3 machinic/more-than-human guests. Part performance, part intervention within context of conference, BCMC introduces a novel explicitly visible strategy co-dependency for array diverse intelligences through connected loop human, machine, animal age...

Resumo Neste artigo analiso a ausência do sublime em Dewey e o na educação condensados pergunta: que significa para formação humana afirmar ignorou sublime? Inicio raciocínio apresentando nos escritos filósofo. Posteriormente, apresento kantiano seu impacto projetos modernos de emancipação, particularmente projeto educacional da Bildung americana pautado naturalização idealismo objetivo hegelia...

At the beginning of the 20th century, Einstein revolutionized the notions of space and time, first through special relativity and then, a decade later, through general relativity. Conceptual ideas underlying general relativity are explained and its physical ramifications summarized in general terms, without recourse to advanced mathematics. This theory is perhaps the most sublime creation of th...

Arguments are presented that paintings are unable to induce basic psychobiological emotions because they do not powerfully engage with spectators’ intimate associativememory systems. However, it is suggested that art installations containing properties subsumable under the classical concept of the sublime (physical grandeur, rarity, novelty, an association with beauty and with biologically sign...