This paper introduces the novel concept of location-based Mobile Urban Dramas. In a Mobile Urban Drama the user become the main character in a play where actors’ voices appear in the mobile phone headset linked to the physical setting in the city as the stage for the drama. The paper describes the dramaturgical concept and introduces a software framework supporting drama writers in developing s...

-Virtual drama is based on the use of a shareable virtual world as a stage setting, with avatars controlled by actors and audience members. The Caracol Time Travel Project was an experiment in the use of virtual drama for learning about archaeology. Eighteen undergraduate students at the University of Central Florida used a locally developed Java-based system for sharing VRML worlds. They desig...

This commentary describes an alternative conceptual framework for interpreting the effects that E. L. Paluck (2009) found in evaluating a public education radio drama in Rwanda. The radio drama included information about the origins and impact of violence and the avenues to prevention and healing, with the aim of preventing new violence. In addition to comparing theoretical perspectives and the...

When building a story-intensive game, there is always the question of how much freedom to give the player. Give the player too little, and he may feel constrained and disconnected from the character he is controlling. Give him too much freedom, and the progression of the story may lag or stop altogether. The field of interactive drama attempts to strike a balance between interaction and authors...

Interactive drama presents one of the most challenging applications of autonomous characters, requiring characters to simultaneously engage in moment-by-moment personality-rich physical behavior, exhibit conversational competencies, and participate in a dynamically developing story arc. One way to advance the field and continue to make exciting progress is to develop building blocks needed for ...

Focusing on the work of the left-wing film and television director Roy Battersby, this article seeks to shed light on the issues at stake in the controversies surrounding the production and reception of ‘radical television drama’ during the late 1960s and early 1970s. Through an examination of a number of BBC productions that were either cut (Five Women), banned (Hit Suddenly Hit) or the subjec...

Drama therapy, like other creative arts therapies, has attracted a number of different conceptual frameworks which have been used to organize complex clinical material and to provide theoretical coherence to relatively uncharted psychological territory. These frameworks, nearly all imported from outside the creative arts themselves, include psychoanalytic theory, gestalt therapy, developmental ...

A Look at Contemporary Persian Poetry, Currents in Persian Poetry in 20th Century This book is a historical survey of literature though the writer has tried to distance himself from ancient approaches and to apply a modern look of analysis, critique and stylistics. In the first chapter the methodology is discussed followed by the second chapter which talks of text and metatext and the relation...

A drama manager (DM) monitors an interactive experience, such as a computer game, and intervenes to shape the global experience so that it satisfies the author's expressive goals without decreasing a player's interactive agency. Most research work on drama management has proposed AI architectures and provided abstract evaluations of their effectiveness. A smaller body of work has evaluated the ...

Because it supports progress, drama embodies development and, thus, can be used to support development communication. In fact, drama is the most appropriate medium for effecting change for development because it 1) involves interpersonal communication; 2) broadens the meaning of development; 3) challenges assumptions, demands accountability, suggests remedies, and evaluates the totality of per...