نتایج جستجو برای: painting

تعداد نتایج: 7637  

2007
Atanas Petkov

This paper presents an algorithm that recognizes an input photo of a painting displayed at a museum exhibition out of 33 paintings in the set. The input photos were taken with a Nokia N93 cell phone, which has a 3 mega-pixel digital camera. The snapshots were taken under different light conditions and from different vantage points. This algorithm would be useful during a museum tour; the touris...

2003
Der-Lor Way Sheng-Wen Huang Zen-Chung Shih

Chinese ink painting is a traditional art that is over three thousand years old. It is a type of non-photorealistic rendering. However, research on Chinese ink painting is scarce. Simulating the behavior of Chinese ink is challenging work because ink moves in a complex manner. This paper presents a new method for simulating ink diffusion based on observation and analysis. The proposed method ca...

Journal: :هنرهای تجسمی 0
اشکان پوریان دانشجوی کارشناسی ارشد باستان شناسی، گروه باستان شناسی، دانشکده ی ادبیات و علوم انسانی، دانشگاه تهران حسین عزیزی کارشناس باستان شناس، گروه باستان شناسی، دانشکده ی ادبیات و علوم انسانی، دانشگاه تهران

research about persian painting (generally, all objects of art), has its own difficulties. one of these difficulties, of course, is that, how was its creation. the creation of any object of art, is a twisted problem, deals with several factors, some apparent some stealth, but never a fixed number of them existed that could act like variables. in this paper, we tried, with help of some obvious c...

Persian painting has been influenced by European art since the Safavid era, resulting in a painting style that became known as Farangi-sazi. Although some of the engravings used in the Farangi-Sazi have been identified in recent years, it seems that research has neglected visual distortion caused due to transferring images and printmaking process up to now. Most sources and studies on Farangi-S...

2007
Gabriel M. Hoffmann Peter W. Kimball Stephen P. Russell

This paper presents the algorithm developed, for the EE 368 course project, to identify paintings in query images taken with a camera-phone in the European Gallery of the Cantor Arts Center. The image processing algorithm first extracts the painting of interest, in the center of the photo. It uses edge detection in saturation space, followed by iterative Radon transforms and region removal to f...

2001
Aaron Hertzmann Ken Perlin Denis Zorin Christoph Bregler Brian Curless Trevor Darrell Chuck Jacobs Nuria Oliver David Salesin

We describe new algorithms and tools for generating paintings, illustrations, and animation on a computer. These algorithms are designed to produce visually appealing and expressive images that look hand-painted or hand-drawn. In many contexts, painting and illustration have many advantages over photorealistic computer graphics, in aspects such as aesthetics, expression, and computational requi...

2017
Muning Cao Tim McGraw David Whittinghill Rick Paul Regina M. Brown

Cao, Muning. M.S., Purdue University, May 2016. A Study Of How Chinese Ink Painting Features Can Be Applied To 3D Scenes And Models In Real-time Rendering. Major Professor: Tim McGraw. Past research findings addressed mature techniques for non-photorealistic rendering. However, research findings indicate that there is little information dealing with efficient methods to simulate Chinese ink pai...

2008
Mehri Rahmani Ali Rahmani

Objectives: In present study, we studied the effect of teaching three painting methods (free method, subject selection method and complementary method) on creativity of children with learning disabilities. First, among all disabled students, who refer to Bizhani center for learning disabilities in Arak city, 60 subjects were randomly selected as statistical sample. Thus, the 45 children, divide...

Journal: :Microscopy and microanalysis : the official journal of Microscopy Society of America, Microbeam Analysis Society, Microscopical Society of Canada 2003
Paula Dredge Richard Wuhrer Matthew R Phillips

An oil painting by Claude Monet, Port-Goulphar, Belle-Ile 1887 (collection of the Art Gallery of New South Wales), was examined to determine both the identity of the pigments used by the artist in this painting and his technique of mixing colors and laying paint on the canvas. The extremely complex construction of the painting was revealed by optical microscopy, scanning electron microscopy (SE...

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