Poetry is one of the most important sources Arabic language, and grammar language was built on ancient, reliable poetry. not written down in early ages, so they relied verbal narration Therefore, poetic heritage exposed to a number problems, including multiplicity narrations, changing setting narration, this what linguists called To confirm, trace, scrutinize many which were criticized correcte...

This paper provides a reading of Jena Osman’s poetry, specifically her volumes "The Network" (2010) and "Corporate Relations" (2014), as capitalist crisis poetry. Intertwining the self nation, capitalism, financial market’s discourses profit profitability, writing shows that neoliberalism has taken over every dimension life. Using analogy conjugation, analysis provided here discusses how explor...

We analyze computer-generated poems written with a mesostomatic algorithm. We show that computer-generated poetry is meaningful in the same way as human-generated poetry and that this poetic meaning must renounce one-to-one correspondence to reality, objective or subjective. We further show that the ability of a computer poet to produce meaning is stable with respect to a change in language. On...

Nam Shub is a tool and software art project for the creation, modification and performance of text oriented electronic art ranging from experimental literature to visual sound poetry performances or interactive art installations. The discussed project is the second version or rather a newly developed and enhanced version of HyperString which was presented at e-poetry 2005. This tool will be mad...

Author Bio: Johanna Shapiro, Ph.D. is professor of family medicine and director of the Program in Medical Humanities & Arts, University of California Irvine, School of Medicine. As a psychologist and medical educator, she had focused her research and scholarship on the socialization process of medical education, with a special focus on the impact of training on student empathy; and on the docto...

The universe is a grand book, Galileo noted in 1623, written in the language of mathematics (1). Those poor souls who don’t understand that language, he cautioned, wander about in a “dark labyrinth.” As languages go, mathematics can be intimidating. Plenty of people linger in the shade of Galileo’s labyrinth. To the uninitiated, equations, theorems, and proofs—to say nothing of their constituen...

This paper presents the current advances in “The Muses of Poetry”, an on-going project that combines interaction, emotions and poetry. The goal of the project is to create an interactive installation where a virtual character not only recites poetry, but also manifests the affective content of the poem through facial expressions and voice rhythm. The novelty of our work is the combination of di...

This paper presents the advances in expressive speech for the interactive installation The Muses of Poetry, as well as the results of an evaluation to assess the interaction and emotional experience of the participants. The objective of the installation is to bring poetry closer to a wider audience through the use of animated characters who not only read poetry, but also manifest the emotional ...

In his article "Politics of Indigeneity in Fogarty's Poetry" Sean Gorman discusses Indigenous themes and issues with regards to the poetry of Murri writer Lionel Fogarty. As Fogarty is seen as a poet who writes complex prose, his material challenges non-Indigenous readerships by subverting Standard English and conventional reading practices. Gorman suggests strategies by which to engage with Fo...

CONCEPTIONS OF THE POETIC IN CLASSICAL GREEK PROSE Alison C. Traweek Dr. Sheila Murnaghan This dissertation explores how prose authors of the Classical period envisioned literary distinctions, particularly how and when they labeled a particular utterance ‘poetic’. The first chapter addresses fifth-century prose authors whose work survives in significant degree (Herodotus, Thucydides), or whose ...