We describe our recent achievements in interlinking several music-related data sources on the Semantic Web. In particular, we describe interlinked datasets dealing with Creative Commons content, editorial, encyclopedic, geographic and statistical data, along with queries they can answer and tools using their data. We describe our web services, providing an on-demand access to content-based feat...

The article analyses the creativity in a particular category of interactive products—personal portfolio websites. Most of the designers embraced the advantages of a digital portfolio which include the ability to make an unlimited number of copies at a very low price, availability through email and presence on the global job market. In trying to impress possible employers, designers often got mo...

Knowledge visualization is a creative process, but difficult to formalize. This paper presents a system that is capable of analyzing voluminous citation data and visualizing the result. The system offers visualizations of trends by clustering scientific papers taken from the web (CiteSeer papers). Two methods are implemented: factor analysis and PFNET. An experiment has been carried out with th...

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Scholars of internet governance have traditionally focused on how institutions such as sovereign nation states and multilateral organizations establish public policy. In doing so, experts and policy makers often presume the impact of Internet policies on Internet usage, but rarely do they examine usage aggregated from the behavior of individual web users. In this study, authors Harsh Taneja and...

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Public policy promoting the creative economy has two serious flaws: one, a misperception of culture and creativity as a product of individual genius rather than collective activity; and, two, a willingness to tolerate social dislocation in exchange for urban vitality or competitive advantage. This brief recaps current culture and revitalization research and policy and proposes a new model—a nei...

iStar models allow users to capture high-level social requirements, including alternatives and qualities. Typical approaches advocate discovering model content through traditional Requirements Engineering (RE) elicitation methods, such as interviews, observations, and domain documents. For the typical, familiar space of requirements, such techniques may be sufficient, but stakeholders may not a...

Objectives The production of innovation or novelty in creative interactions is normally represented in research either as normative patterns of behaviour (being creative) or as post-hoc empirical objects (new firms, new products etc.) The structure of creative practices, i.e. what particular forms of interactivity produce successful novelty (i.e. which becomes ‘normal’ and not novel, which crea...