Este texto analisa o filme O filho de Saul (László Nemes, 2015), tomando como objeto reflexão a relação que seu protagonista estabelece com morte e atividade do pensar na situação exceção em se encontra (campo extermínio; membro Sonderkommando). Para tanto, destacaremos os movimentos câmera, particular, exploraremos as noções morte/não morte, pensamento revolta, base Agamben, Arendt Camus.

Pandemic literature (and there is a sprawling canon of it) tells us much about the past so that we can learn for our future, but have been poor students. We should better prepared Covid-19, and even merely scratching surface pandemic by examining Albert Camus’s The Plague Phillip Roth’s Nemesis very revealing. Despite remarkable heterogeneity world, are some things disease shared globally, many...

When I was a graduate student at the University of Pennsylvania in the late 1960s, philosopher Paul Weiss published his ground-breaking book, Philosophy of Sport. I distinctly remember a review of the book from The New York Times being posted on the graduate student bulletin board under a sign with very large letters that said, “Write on this subject only if you already have tenure.” In retrosp...

the purpose of this article is to show the creation of sense and the relation between reflection and narrative function in the novel “stranger” by albert camus. while studying the structure of this narration, we try to surpass the surface and penetrate the deepest layers of the text, in order to find, not only the meaningful surface structures but also the ones beyond the text. as a reason, we ...