This work examines the commentaries on Horace’s Odes 1, 4; 4, 7 and 12 composed by Porphyrio, Pseudo-Acro,Cristoforo Landino AntonioMancinelli (Horatius cum quatuor commentariis, Venetiis 1492). After a brief overview of Horatian exegetical tradition, we analyze similarities differences in terms content form between ancient scholia Renaissance commentaries. Thus, aim to highlight interpretation...