Bu çalışma, klasikleşmiş oyun metinlerinin devamı niteliğinde olan oyunları, okurların alımlama düzeyleri bağlamında incelemektedir. Tiyatro literatüründe yaygın olmayan devam oyunu kavramı, metinlerarasılıkla ilişkili bir yazma pratiği olarak ele alınmıştır. Klasik dramatik yapının kültleşmiş metinlerini, tamamlanmışlık anlayışını yıkacak biçimde yeniden kurgulayan kendine özgü kurgulama mantı...

Procedural story generation is an active and increasingly important area of interactive entertainment. Some of the most difficult challenges with the concept are generation and managing of dramatic elements with high degree of variation that are both internally consistent and entertaining. If an authoring system could access a large repository of proven sets of domain specific dramatic action s...

William Shakespeare has been part of the cinema since 1899. In the twentieth century almost a thousand films in some way based upon his plays were made, but the vast majority of those which sought to faithfully present his plays to the cinema audience failed at the box office. Since the start of the twenty-first century only one English language film using Shakespeare’s text has made a profit, ...

clinical and genetic aspects of sudden cardiac death in being human in a buddhist world an intellectual history of out of the red out of the red mires the mrcgp clinical skills assessment csa workbook ukraine crisis a reporters story vol 2 ebook | outlawgaming wealth waste and alienation growth and decline in the contrast media in ultrasonographybasic principles and compare contrast template ki...

Artists, especially storytellers, often explore the nature of humanity and the ways that we attempt to elevate ourselves from the level of animals. Humans attempt to differentiate themselves from each other by establishing barriers and distinctions amongst themselves. This topic has been consistently returned to by artists for two main reasons. First, our world is so full of human barriers that...

In his paper, "Underwater Women in Shakespeare Films," Charles Ross looks at the film tradition of representing the social oppression of women by scenes submersion, a trope that has its literary roots in the classics, the French Middle Ages, the Renaissance, and the novel. Ross argues that unlike classic directors such as Kurosawa, Kozintsev, and Polanski, modern filmmakers not only like to enh...