The Space Between Us: Evaluating a multi-user affective brain-computer music interface Joel Eaton, Duncan Williams & Eduardo Miranda To cite this article: Joel Eaton, Duncan Williams & Eduardo Miranda (2015) The Space Between Us: Evaluating a multi-user affective brain-computer music interface, Brain-Computer Interfaces, 2:2-3, 103-116, DOI: 10.1080/2326263X.2015.1101922 To link to this article...

This paper summarises a panel discussion at the 2007 International Computer Music Conference on movement and gesture data formats, presents some of the formats currently in development in the computer music community, and outlines some of the challenges involved in future development.

Musique Lab 2 is an educational application providing music teachers with means to develop new pedagogical approaches and situations using computer tools. It is based and developed on top of the OpenMusic computer-aided composition environment and benefits from the underlying music representation, computational possibilities and from the extended compositional knowledge and practice existing in...

The Meta-Instrument (M-I) is a new instrument for computer music. Since 1989, three backward compatible prototypes were designed involving custom developments in electronics, mechanics, computer science and music. This paper presents the third generation of M-I, and a few ideas that emerged from the past 17 years of playing it.

1 Can computers make music? Suppose we buy a computer with a big disk, a modern programming environment , an audio-quality DAC, or two, or eight, and ampliiers and speakers. In theory we can now make any sound that our speakers can emit (I owe this observation to Richard Moore). We could simply type in a few million samples if nothing easier comes to mind. One major goal of computer music resea...

This paper discusses a new approach to computer music synthesis where music is composed specifically for performance using mobile handheld devices. Open source cross-platform computer music synthesis software initially developed for composing on desktop computers has been used to program a Linux phone. Work presented here allows mobile devices to draw on these resources and makes comparisons be...

In the design of interactive computer music systems and the composition of interactive computer music, the tracking and analysis of musical "gestures" — characteristic motions discerned within musical attributes — provides a promising challenge. There are in fact ways that one can clearly and empirically define and identify "gesture" in musical content, often with conceptual models and tools si...

Meaningful real-time interaction between human performers and computer processing is an important aesthetic issue for many composers. With the advent of computer systems that are actually fast enough to permit real-time algorithmic sound realizations based on the analysis of live performance data the issue now facing composers is how to utilize these tools in a meaningful and artistic way. Lyra...

Abstract With the rapid development of China’s economy, computers have been widely used. We can see it in people’s daily life and teaching. Computers used Music courses colleges universities are essential a basic content aesthetic education, which not only cultivate students’ ability, but also sentiment, very important teaching significance. At present, traditional music method has gradually el...