abstract: myth is as old as mankind; it has transformed and lasted in the form of stories, and anecdotes, together with literary and artistic works. one cannot ignore the presence of myths in culture, literature and art (especially cinema) every era ranging from the age of aeschylus, euripides and aristophanes to the contemporary age of cinema has a firm attachment with myth- of all historical ...

many of the great persian poems have powerful narrative structure and they transfer ideas and concepts from the language of different real or symbolic characters. one poem that is categorized in this field is  chahar chaman, a poem by shahdaie shirzi. this article aims at answering the question that what kind of belief and thought are each of the symbolic characters going to present? and how do...

The inter-subjective and dialogical nature of narrative therapy, as commonly practiced, remains unarticulated. Further, there currently exists no rigorous empirical research investigating the process or outcome of narrative therapy. The research aim, to investigate the process and outcome of narrative therapy, comprised theoretical and empirical objectives. The first objective was to articulate...

The aim of a cognitive narratology, as I see it, is to develop the literary and generally semiotic study of narratives through cognitive modeling, and to develop cognitive studies of mind and meaning by integrating insights from literary scholarship. In this article, I first examine the concept of narrative discourse (versus descriptive and argumentative discourse); second, I discuss the princi...

The task of narrative visualization has been the subject of increasing interest in recent years. Much like data visualization, narrative visualization offers users an informative and aesthetically pleasing perspective on “story data.” Automatically creating visual representations of narratives poses significant computational challenges due to the complex affective and causal elements, among oth...