The signifier is regarded as a crucial part of interface design since it ensures that the user can manage device appropriately and understand interaction taking place. Useful signifiers keep users’ attention on learning, but poorly designed disrupt learning by slowing progress making harder to use interface. problem prior research identified qualities signifiers, their attributes in terms being...

Touch screens supporting different inputs such as 'Tap', 'Dwell', 'Double Tap' and 'Force Press' are omnipresent in modern devices yet this variety of interaction opportunities is rarely communicated to the user. Without visual signifiers, these potentially useful remain unknown or underutilised. We propose a design space signifier characteristics that may impact perception in-place one finger ...

This study will focus on the meaning of personal identity for an album entitled Menari dengan Bayangan (Dancing with Shadows), created by a musician named Daniel Baskara Putra or stage name Hindia. In album, which contains 12 songs, gives implied messages about his in songs that listeners listen to. uses semiotic analysis method Ferdinand de Saussure, focuses signifier and signified aspects int...

Raman Mundair's poetry interrogates the cultural and political tensions between subject object, powerfully contributes to canon of transformative Black British writing in early twenty-first century. Her collections confront scenes racism interrogate possibility a genuinely multicultural Britain, as she grapples with some ugly complexities has faced first-generation South Asian migrant UK, parti...

The paper presents a semiotic approach to the study of knowledge creation and sharing processes. These processes are aimed to generate goal-oriented knowledge system (GOKS) in different domains. A GOKS is generated by an expert collective that creates new meanings using a changeable constellation of signs including personal (expert), collective, and conventional signs, their sign-forms and sign...

Cet article se propose d’analyser des cas où le passé simple ne semble pas fonctionner à la manière d’un aoriste, mais celle parfait (comme composé), l’instar de l’exemple suivant: «De vie je fus aussi heureux!…» (Stendhal, La Chartreuse Parme, 1839, p. 139). Le but communicationnel consiste signifier «l’état d’expérience» au moment l’énonciation, avec toutes ses répercussions concernant hic et...