Igor Stravinsky?s late style is usually considered in terms of the works? structure. Following Joseph N. Straus, this article attempts to highlight expressive, semantic and self-referential dimensions compositions. These emerge there with particular clarity partly contradict usual assessments music as abstract constructivist; such, they also challenge composer?s own statements.

OBJECTIVE To improve semantic interoperability of electronic health records (EHRs) by ontology-based mediation across syntactically heterogeneous representations of the same or similar clinical information. MATERIALS AND METHODS Our approach is based on a semantic layer that consists of: (1) a set of ontologies supported by (2) a set of semantic patterns. The first aspect of the semantic laye...

Recently, neural network based dependency parsing has attracted much interest, which can effectively alleviate the problems of data sparsity and feature engineering by using the dense features. However, it is still a challenge problem to sufficiently model the complicated syntactic and semantic compositions of the dense features in neural network based methods. In this paper, we propose two het...

grammaticalization provides a framework to study the genesis and development of grammatical forms in language. in this framework, it is argued that new grammatical forms are constantly developed from lexical items and the already formed grammatical items may go out of use. in spite of some counterexamples, this is often seen as a unidirectional and cyclic process. in this article the concepts o...