Arab tribe in Fars,which is a branch of Khamse :::::union:::::,enjoys ancient carpet-weaving tradition. All weavers of this tribe belong to Arab Jabbare :::::union:::::. It haslearnt Fars tradition of carpet-weaving sinceadoption of Islam by Iran and has transformed it accordingly. Because of the pastoral and nomadic life, some kinds of bag weavings have been woven by them. Carpetbag is the mos...

In this paper, the specimens woven by the same weaver with identical materials but with four different types of knots, i.e., symmetrical, asymmetrical, jufti and U knots, which their details are given in a previous paper by these authors, are used. The effect of these knots on such physical properties as width of the weave, length of the motifs, length of yarn in a knot and the carpet weight ar...

The hunting & animal patterns is indeed one of the most important & effective motifs which can be seen in Persian Art since ancient times. For a long period of time, these motifs (which include religious & old mythological concepts, and tell about the geographical & natural human being environment, as well as his own desires, his domineeringness, and struggle for survival), have been designed &...

چکیده هنرهای سنتی، تجلی زیبایی هایی نشأت گرفته از ذوق و سلیقه، باورها و اعتقادات مردمان مناطق مختلف و شاهدی استوار بر توجه آنها به دنیای هزاررنگ پیرامون  شان است. هنر سوزن دوزی نیز یکی از این هنرها است. در این میان، مردم شهرستان سربیشه با ترکیب عشق و صبوری، طرح های خیال پرور و چشم نواز خود در هنر سوزن دوزی را بر پرده هایی که زینت بخش خانه هایشان است، به کار بسته اند؛ هنری...

Achaemanid art is one of the most important periods of Iranian ancient culture. In different periods of time, it has been considered as the determiner of the Iranian identity. The art of this era has been analyzed and investigated in different ways. According to the range of the available studies and the intertextuality which is the approach of this study, the research question is that whether ...