The article aims to establish a theoretical dialogue between the work of Alberto Burri, one most influential Italian artists 20th century, and late aesthetics Gilles Deleuze. By drawing on concept image outlined by Deleuze in Exhausted (1992), Burri’s art is conceptualized as unfolding dimension pure sense that singularizes forms rather than identifying bodies signs. This ontological “purity” c...

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In this paper we, we begin by exploring the theoretical implications of a non-naturalistic, iconic percpetion of Money as both media and technological artifact embedded with affection. From Marx to Weber but also Simondon, Deleuze and Derrida, we discuss the future of Money from a conceptual and logical perspective taking digital emancipation as the new value frontier for human development. Bas...

In this paper we consider the issue of Foucault?s introduction genealogy. We begin with his Archeology Knowledge, in which he summarizes previous work, explaining elements archaeological procedure practiced earlier books but also expressing somewhat a dissatisfaction what has achieved. way, opens door for hitherto unnamed clearly foreshadowed At same time, Foucault neither abandons nor rejects ...

Explaining away is a common pattern of reasoning in which the connrma-tion of one cause of an observed or believed event reduces the need to invoke alternative causes. The opposite of explaining away also can occur, in which the connrmation of one cause increases belief in another. We provide a general qualitative probabilistic analysis of intercausal reasoning, and identify the property of the...