A set of algorithms is proposed in this paper to automatically transform 3D animal models to Chinese painting style. Inspired by real painting process in Chinese painting of animals, we divide the whole rendering process into two parts: borderline stroke making and interior shading. In borderline stroke making process we first find 3D model silhouettes in real-time depending on the viewing dire...

Seminal work in finance and economics has studied theoretical models of ethical behavior. We provide experimental evidence for the role of a universal “sacred value,” namely, truth. We study this value in the context of earnings management, which is an important business setting where the conflict between personal gains and behavior consistent with the value of truth is particularly salient. We...

To test quantitatively whether there are systematic chromosome-chromosome associations within human interphase nuclei, interchanges between all possible heterologous pairs of chromosomes were measured with 24-color whole-chromosome painting (multiplex FISH), after damage to interphase lymphocytes by sparsely ionizing radiation in vitro. An excess of interchanges for a specific chromosome pair w...

In this essay I propose a hermeneutic model of the higher level understanding during on-line ritual reading by devotees of their respective sacred literatures, using the instruments provided by cognitive sciences. The way a devotee reads a sacred text differs from the way he or she would read a common piece of literature or how a lay person might read the same sacred text. After providing an ov...

We introduce roboPix, a robot, which is able to paint action paintings from a user’s thoughts using a Brain-Computer-Interface (BCI). The BCI provides signals, which encompass the user’s recognized thoughts and the user’s level of excitement. These signals command the movement of the robot’s arm, which spreads the paint on the canvas. Our system combines explicit and implicit signals to persona...

Abstract—For traditional painting materials, the artisan used to combine the pigments with different binders to create colors. As time goes by, the materials used for painting evolved from natural to chemical materials. The vast variety of ingredients used in chemical materials has complicated restoration work; it makes conservation work more difficult. Conservation work also becomes harder whe...

Building upon earlier analysis of Eliade’s ‘sacred’ as ‘the intentional object of human experience that is apprehended as the real’ (Rennie 1996, 21) this article pursues the concept of the apprehension of the sacred in empirical experience as described by Eliade in his discussion of religious symbols. Using a variety of visual analogies an attempt is made to understand what Eliade’s understand...

This paper describes the concept, creative process and development decisions regarding an interactive art installation that materializes a point of view on the conflict between the notions of ‘sacred’ and ‘profane’ in a particular Portuguese religious festival. The initiative, besides constituting an experiment on the usage of a physical pendulum as control method, aimed to combine three main d...

Persian painting has usually been studied from historical point of views. But its formation is rooted in a specific social context. In this study, we will try to contextualize it and we will show that this social context has a crucial role regarding its aesthetic. Persian painting is an art of royal courts and it represents the life of princes combined with Persian epic legendes. This social co...