Auditory stream segregation describes the way that sounds are perceptually segregated into groups or streams on the basis of perceptual attributes such as pitch or spectral content. For sequences of pure tones, segregation depends on the tones' proximity in frequency and time. In the auditory cortex (and elsewhere) responses to sequences of tones are dependent on stimulus conditions in a simila...

In the experiments reported here, we attempted to find out more about how the auditory system is able to separate two simultaneous harmonic sounds. Previous research (Halikia & Bregman, 1984a, 1984b; Scheffers, 1983a) had indicated that a difference in fundamental frequency (F0) between two simultaneous vowel sounds improves their separate identification. In the present experiments, we looked a...

Experiments were conducted to determine the extent to which a fundamental frequency or formant frequency transition influenced segregation of a simultaneous pair of single-formant harmonic complexes. Results showed that even a minute transition facilitated segregation. The effect was larger for formant frequency than fundamental frequency transitions. It is concluded that dynamic aspects of spe...

The authors examined the effect of preceding context on auditory stream segregation. Low tones (A), high tones (B), and silences (-) were presented in an ABA- pattern. Participants indicated whether they perceived 1 or 2 streams of tones. The A tone frequency was fixed, and the B tone was the same as the A tone or had 1 of 3 higher frequencies. Perception of 2 streams in the current trial incre...

In everyday life, our auditory system is bombarded with many signals in complex auditory scenes. Limited processing capacities allow only a fraction of these signals to enter perceptual awareness. This magnetoencephalography (MEG) study used informational masking to identify the neural mechanisms that enable auditory awareness. On each trial, participants indicated whether they detected a pair ...

The present study investigates the effect on auditory stream segregation of the duration of silent gaps between items of a repeating sequence of sine tone stimuli. While previous investigators had •hown that gaps reduced the tendency for items to segregate, the present experiment showed that this was not the case; rather, in adjusting tone durations for stream segregation thresholds, subjects i...

Natural soundscapes often contain multiple sound sources at any given time. Numerous studies have reported that in human observers, the perception and identification of concurrent sounds is paralleled by specific changes in cortical event-related potentials (ERPs). Although these studies provide a window into the cerebral mechanisms governing sound segregation, little is known about the subcort...

This paper presents a procedure for the analysis of acousmatic music which was derived from the synthesis of top-down (knowledge driven) and bottom-up (datadriven) cognitive psychological views. The procedure is also a synthesis of research on primitive auditory scene analysis, combined with the research on acoustic, semantic, and syntactic factors in the perception of everyday environmental so...

The ability to detect and track relevant acoustic signals embedded in a background of other sounds is crucial for hearing in complex acoustic environments. This ability is exemplified by a perceptual phenomenon known as "rhythmic masking release" (RMR). To demonstrate RMR, a sequence of tones forming a target rhythm is intermingled with physically identical "Distracter" sounds that perceptually...

It has traditionally been assumed that cochlear implant users de facto perform atypically in audiovisual tasks. However, a recent study that combined an auditory task with visual distractors suggests that only those cochlear implant users that are not proficient at recognizing speech sounds might show abnormal audiovisual interactions. The present study aims at reinforcing this notion by invest...