نتایج جستجو برای: this article studies five major classical hollywood films psycho
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Abbas Kiarostami set out his cinematic experience with works for children and about them. Despite the significant place this early phase of his oeuvre possesses in Iranian cinema, little has been done to analyze the ethical relations in these works. The major claim of this research project is that there are two major ethical conditions at the heart of ...
An article published on India Outlook in July 2019 stated that Dharavi, Mumbai’s biggest slum, has now beaten the Taj Mahal as most popular tourist destination India, having “received a push by Hollywood and Indian films alike” (2019). Following Hesmondalgh’s observation cultural industries reflect inequalities of capitalist societies (2007), we examine precisely relationship between poverty to...
Film making is in many aspects a very complex business represented by highly non-trivial business processes in which multiple organizational units are involved. Whereas in regular manufacturing and paper factories like insurance companies there is an increasing adoption of information technology (IT) and especially business process management (BPM) technology, there is little adoption of inform...
this study is based on this question, that if it would be required to write a screen play about islamic and shi'ah infallible leaders (imams), then what would be the suitable model for this. the classic model, in this regard often based on the aristotle model, is not enough and ideal to present the infallible islamic characters. this is because it is forbidden to show the face of the islam...
از محوری ترین اثراتی که یک فیلم سینمایی ایجاد می کند دیالوگ هایی است که هنرپیش گان فیلم میگویند. به زعم یک فیلم ساز, یک شیوه متأثر نمودن مخاطب از اثر منظوره نیروی گفتارهای گوینده, مثل نیروی عاطفی, ترس آور, غم انگیز, هیجان انگیز و غیره, است. این مطالعه به بررسی این مسأله مبادرت کرده است که آیا نیروی فراگفتاری هنرپیش گان به مثابه ی اعمال گفتاری در پنج فیلم هالیوودی در نسخه های دوبله شده باز تولید...
In her article "Shen (1904-1940) film 十字街頭 (1937) (Crossroads Hollywood and Soviet cinema in 1930s explores the transcultural and transmedial possibilities and potentials in the in the 1930s and the unruly energy and unique aesthetic characteristics embedded in the process of creative mimesis and transplantation. While in the paradoxical attitude toward US-American and Soviet films, Chinese fil...
number of over-50-year-old Americans who regularly visited the cinema increased by 68%.” The article goes on to say that largely in response to this demographic shift in filmgoers, “it is estimated that around a third of Hollywood productions are being made with an eye on older audiences.” Indeed, over the past 5–6 years, there have been a large number of major-release feature length films that...
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