As I walk into the gallery, I hear a soft trickling, ambient sound, as if the room from which it comes is singing, resonating to an unseen excitation, calling out its place in the world, assured and wholesome, extrovertly trumpeting the technological wizardry it contains – inviting, like a siren on a rock, but here disguised, enclosed, almost intimate. I walk towards the source and stand at the...

This study discusses the presentation of singing techniques in song Le violette by Alessandro Scarlatti. The used are posture, breathing, sound production, articulation, intonation, resonance, and dynamics. author also characteristics song. distinctive feature music that brings is solo vocal work which connects with expression falling love someone. applies it repeatedly until can be done for qu...

INTRODUCTION Dynamic MRI analysis of phonation has gathered interest in voice and speech physiology. However, there are limited data addressing the extent to which articulation is dependent on loudness. MATERIAL AND METHODS 12 professional singer subjects of different voice classifications were analysed concerning the vocal tract profiles recorded with dynamic real-time MRI with 25fps in diff...

The tabla is an essential component of the Hindustani classical music ensemble and therefore a popular choice with musical instrument learners. Early lessons typically target the mastering of individual strokes from the inventory of bols (spoken syllables corresponding to the distinct strokes) via training in the required articulatory gestures on the right and left drums. Exploiting the close l...

Regressive place assimilation is a form of pronunciation variation in which a word-final alveolar sound takes the place of articulation of a following labial or velar sound, as when green boat is pronounced greem boat. How listeners recover the intended word (e.g., green, given greem) has been a major focus of spoken word recognition theories. However, the extent to which this variation occurs ...

In voice-driven sound synthesis applications, phonetics convey musical information that might be related to the sound of an imitated musical instrument. Our initial hypothesis is that phonetics are userand instrumentdependent, but they remain constant for a single subject and instrument. Hence, a user-adapted system is proposed, where mappings depend on how subjects performs musical articulatio...

This article presents ISEE, an intuitive sound editing environment, as a general sound synthesis model based on expert auditory perception and cognition of musical instruments. It discusses the backgrounds of current synthesizer user interface design and related timbre space research. Of the three principal parameters of sound—pitch, loudness and timbre—ISEE focuses on control of timbre, and af...