Despite the ubiquity of dancing and synchronized movement to music, relatively few studies have examined cognitive representations of musical rhythm and meter among listeners from contrasting cultures. We aimed to disentangle the contributions of culture-general and culture-specific influences by examining American and Turkish listeners' detection of temporal disruptions (varying in size from 5...

Previous research suggests that mastering languages with distinct rather than similar rhythmic properties enhances musical rhythmic perception. This study investigates whether learning a second language (L2) contributes to enhanced musical rhythmic perception in general, regardless of first and second languages rhythmic properties. Additionally, we investigated whether this perceptual enhanceme...

Groove is often described as the experience of music that makes people tap their feet and want to dance. A high degree of consistency in ratings of groove across listeners indicates that physical properties of the sound signal contribute to groove (Madison, 2006). Here, correlations were assessed between listeners' ratings and a number of quantitative descriptors of rhythmic properties for one ...

Rhythmic patterns are an important structural element in music. This paper investigates the use of rhythmic pattern modeling to infer metrical structure in musical audio recordings. We present a Hidden Markov Model (HMM) based system that simultaneously extracts beats, downbeats, tempo, meter, and rhythmic patterns. Our model builds upon the basic structure proposed by Whiteley et. al [20], whi...

Two quantization models for ‘expressive’ rendering of complex rhythmic patterns are discussed. A multinesting quantizer captures expressivity by allowing fine-grained/high-quality resolution, thus covering the automatic transcription of a wide range of rhythmic configurations, yielding from simple to rather complex music notations. A look-up table quantizer is discussed as another model to atta...

a 30-year-old woman presented with a palpable subcutaneous nodule in the areolar region of the left breast. sonomammographic examination revealed 2 cystic lesions showing typical “filarial dance” as vigorous twirling movement of multiple curvilinear echoes with mixed red blue color doppler signals that was non-rhythmic, nonpulsatile, and the characteristic pulse doppler trace due to irregular w...

The neurologic music therapy is a new scope of music therapy. Its techniques deal with dysfunctions resulting from diseases of the human nervous system. Music can be used as an alternative modality to access functions unavailable through non-musical stimulus. Processes in the brain activated by the influence of music can be generalized and transferred to non-musical functions. Therefore, in cli...

The musical of composition "Kompangku" is a work inspired by Kompang's percussion music that grew and developed in Rengat, Indragiri Hulu. As far as studies have been conducted on Kompang’s music, the authors can state space time up-beat peningkah has very important role producing interlocking rhythms accumulate rhythmic cycle cycle, so formula for ostinato-moving rhythms. principle playing pat...

Rhythmic skills are natural and widespread in the general population. The majority can track the beat of music and move along with it. These abilities are meaningful from a cognitive standpoint given their tight links with prominent motor and cognitive functions such as language and memory. When rhythmic skills are challenged by brain damage or neurodevelopmental disorders, remediation strategi...

We perform rhythmic and discrete arm movements on a daily basis, yet the motor control literature is not conclusive regarding the mechanisms controlling these movements; does a single mechanism generate both movement types, or are they controlled by separate mechanisms? A recent study reported partial asymmetric transfer of learning from discrete movements to rhythmic movements. Other studies h...