We propose two novel methodologies for the automatic generation of rhythmic poetry in a variety of forms. The first approach uses a neural language model trained on a phonetic encoding to learn an implicit representation of both the form and content of English poetry. This model can effectively learn common poetic devices such as rhyme, rhythm and alliteration. The second approach considers poe...

Sign language poetry is the ultimate form of aesthetic signing, in which the form of language used is as important as or even more important than the message. Like so much poetry in any language, sign language poetry is a means of expressing ideas unusually succinctly, through means of heightened "art" language. It uses specific language devices to maximise the significance of the poem, just as...

'Poetry' and 'prose' are categories which are normally used to distinguish the two main types of discourse in language. But there is some debate whether this division is helpful and valid when applied to the discourse of the Hebrew Bible. Whereas most scholars accept the validity of the two categories, Kugel (1981) has argued forcefully that the category of poetry is a misleading imposition of ...

In this paper, we present a user-centered design study on poetry visualization. We develop a rule-based solution to address the conflicting needs for maintaining the flexibility of visualizing a large set of poetic variables and for reducing the tedium and cognitive load in interacting with the visual mapping control panel. We adopt Munzner’s nested design model to maintain high-level interacti...

Title of Document: MEMORABLE MOMENTS: A PHILOSOPHY OF POETRY Anna Christina Soy Ribeiro, Ph.D., 2006 Directed By: Professor Jerrold Levinson Department of Philosophy In my dissertation I give a philosophical account of poetry from an analytic perspective—one that is also informed by studies in linguistic communication (pragmatics) and cognitive psychology, and that takes into account the many v...

In her paper, "Postcolonial African Consciousness and the Poetry of Agostinho Neto," Irene Marques introduces the magic words of a great poet with the question: can poetry carry enough sorrow, enough strength, enough fire, enough love, enough wisdom, enough care, and enough horror to penetrate the hearts and the souls of the oppressed and the oppressors so that both will desperately want to esc...

In his article "Electronic Poetry and the Importance of Digital Repository" Manuel Brito analyzes selected early digital repositories of electronic poetry. In addition to issues concerning efficiency and discursive practice, Brito's discusses the objectives, contents, and the funding of digital repositories. Brito argues that digital repositories promote poetry, enable networking and quick publ...

Poetry is rarely a focus of linguistic investigation. This is far from surprising, as poetic language, especially in modern and contemporary literature, seems to defy the general rules of syntax and semantics. This paper assumes, however, that linguistic theories should ideally be able to account for creative uses of language, down to their most difficult incarnations. It proposes that at the s...

This paper presents work-in-progress of the POSTDATA project. This project aims to provide means to solve the interoperability issues that exist among the digital poetry repertoires. These repertoires hold data of poetry metrics that is locked in their own databases and it is not freely available to be compared and to be used by intelligent machines that could infer over the data. The POSTDATA ...

Equine encephalosis virus (EEV) is an orbivirus transmitted by Culicoides species. Most infected horses show mild clinical signs and mortality is usually very low. EEV is closely related and similarly transmitted to other, more pathogenic and economically important, orbiviruses such as African horse sickness virus (AHSV), bluetongue virus (BTV) and epizootic haemorrhagic disease viruses (EHDV),...