Music has long been used to strengthen bonds between humans. In our research, we develop musical co-player robots with the hope that music may improve human-robot symbiosis as well. In this paper, we underline the importance of non-verbal, visual communication for ensemble synchronization at the start, during and end of a piece. We propose three cues for inter-player communication, and present ...

The objective of the current study was to evaluate the predictive role of the olivocochlear efferent reflex strength in temporary hearing deterioration in young adults exposed to music. This was based on the fact that a noise-protective role of the medial olivocochlear (MOC) system was observed in animals and that efferent suppression (ES) measured using contralateral acoustic stimulation (CAS)...

This paper-demonstration provides an overview of an generative music score adapted for the iPad by the Decibel new music ensemble. The original score “Loaded (NSFW)” (2015) is by Western Australian composer Laura Jane Lowther, and is scored for ensemble and electronics, commissioned for a performance in April 2015 at the Perth Institute of Contemporary Arts. It engages and develops the Decibel ...

We combine two concepts, the musical instrument as metaphor and technology probes, to explore how tangible interfaces can exploit the semantic richness of sound. Using participatory design methods from Human-Computer Interaction (HCI), we designed and tested the A20, a polyhedron-shaped, multichannel audio input/output device. The software maps sound around the edges and responds to the user’s ...

E-music distribution is becoming more and more popular over the Internet and a recent research states that e-music will soon replace audio-CDs. Some complains that simple audio tracks can never compete with a complete product like audio-CDs, which provide audio, but also lyrics, images and CD-covers. In this paper we focus on the MP3 open format and we propose a mechanism to transform a single ...

This paper gives an introduction into the principles of interactivity in music video games. Music video games are an old but small genre of games. The earliest direct ancestors emerged in the 1970ies. Some recent music video games were hugely successful. Until today, there are only a few different approaches to their design. The purpose of this article is to shed light on what these design prin...

digitalklang unites the world of DIGITAL (IT knowledge) and the world of KLANG (the German word for sound) into one integrated customer experience. At digitalklang, highly-qualified sound designers and programmers develop individual solutions for adding sound to the Internet and other Digital Media, while significantly enhancing user experience. The Interactive Sound Player (ISP), digitalklang’...

As with films, a thoughtfully composed video game soundtrack has the ability to dramatically enhance and elevate the experience for the audience or player. This article explores the potential issues and difficulties of composing for video game systems by studying the sound-producing hardware and music for two popular systems from one manufacturer. By comparing two of Nintendo’s Super Mario titl...

As with films, a thoughtfully composed video game soundtrack has the ability to dramatically enhance and elevate the experience for the audience or player. This article explores the potential issues and difficulties of composing for video game systems by studying the sound-producing hardware and music for two popular systems from one manufacturer. By comparing two of Nintendo’s Super Mario titl...