Este ensaio pretende pensar o corpo e grito que dele emana na obra de Marguerite Duras Clarice Lispector, mais detidamente no poema As mãos negativas (1997) narrativa Água viva (1973). Para tanto, apossa-se da distinção feita por Maurice Merleau-Ponty entre a poesia, uma vez esta última “em lugar dissipar-se instante mesmo em se exprime [como grito], encontra aparato poético meio eternizar-se” ...

Nähe ist ein Bestandteil sozialer Situationen, der im alltäglichen Erleben oftmals wenig explizite Aufmerksamkeit erfährt, aber während COVID-19-Pandemie auf besondere Weise reflexiv wurde. Anhand von ethnografischen Daten lässt sich zeigen, wie das Herstellen und die Vermeidung gestaltet, wenn Körper nicht nur als infektiös damit vulnerabel kodiert werden, sondern darüber hinaus in dieser Verl...

This essay addresses the question of virtual church, particularly on whether or not liturgy can be done virtually. We will approach our subject from a somewhat unusual perspective by looking to types aesthetic experiences which we have been doing “virtually” for long time. By exploring how experience art in and physical contexts, gain insight into corresponding liturgical practices. Drawing Mik...

Using Maurice Merleau-Ponty’s theory of the flesh as rhythm, this article examines how lived dynamics between embodiment and space construct distinct modes togetherness learning in working life. Workspaces are becoming increasingly hybrid collections various physical virtual spaces. Contemporary workspace ideals embrace openness a collective ‘buzz’, but can also be disorientating. This differen...

This investigation seeks to extend the discourse on interiority. I am an interior designer and, therefore, pose questions as they relate design process, specifically that concern regarding interiority is not necessarily something for, but designers, it affects how and what we design. The presented cases are artistic explorations provided opportunity interrogate relates my cognitive creative pro...

Este artigo pretende abordar os corpos dos desfiles de moda a partir da compreensão do corpo como uma força sensório-motora expressiva, que nos permite considerar, em meio à visível uniformidade performances nas passarelas, nuances das especificidades compositoras tais aparições. Assim, apresentaremos noção vazamentos corporais, defendida na tese Metáfora Cabide: e aparição (LEAHY, 2018), sobre...

Abstract These considerations illuminate an ontology of the witch by first disclosing how “witch,” as a linguistic gesture, carries world meaning, ethics, and culture being originating in body. Witches witchcraft speak to communal situatedness acknowledging power we have over ourselves, others, that singular lack control often experience everyday life. In dialogue with Ada Agada, Emmanuel Lévin...