Este artigo tem a intenção indicar um uso propositivo da noção de imagem pensamento presente na obra Diferença e repetição Gilles Deleuze, pois acordo com esta referência, é típico afirmar-se, permitindo emergência do que difere. De outro modo, ocorre filosofia Deleuze em três ocasiões, nas obras Nietzsche filosofia, Proust os signos nestas obras, nem sempre perspectiva coincide, deslocando-se ...

This article explores the often perplexing experience of being an epilepsy surgery candidate, as portrayed in four book-length accounts: Laura Doermer's Moritz mein Sohn (Moritz my son, 1990), David B.'s L'ascension du haut mal (The ascent of the high evil, 1996; published in English as Epileptic, 2003), Ray Robinson's Electricity (2006), and Alberto Capitta's Il giardino non esiste (The garden...

The rising incidence of remote work practices over the last decades has introduced radical changes in organizational practices for managing people. Such environments indeed often lead to challenges that are difficult for both employees and managers to overcome. These difficulties are mostly linked to the management of distance, particularly prominent in remote work – physical, temporal, or cult...

This paper constitutes an exploration of the construction of academic identity through a retrospective autoethnographic narrative analysis. In essentially experimental mode I set out to examine processes of identification evident in this account, and in particular, the understanding of desire that resonates within it for, it can be argued, without desire there is no identity. I began my analysi...

Viewed from some postcolonial/postmodern perspectives by employing mostly the micropolitics of Homi Bhabha’s and Gilles Deleuze (and other theorists who hold similar conceptions), whose major common interest lies in dismantling the myth of establishing an imagined community by retrieving a shared national history/culture and assuming ethnic purity, this paper seeks to explore the paradoxical as...

Las prácticas teatrales contemporáneas se caracterizan por un fuerte coeficiente de hibridación. Esto conlleva replanteo constante las categorías que definen la teatralidad. En el marco este problema, queremos pensar, a partir los aportes Gilles Deleuze, intersección entre imagen y teatro, entendiendo cruce permite una modulación ambos. El aspecto fundamental esta es su desvinculación noción re...