The perceptual organization of auditory scenes is a hard but important problem to solve for human listeners. It is thus likely that cues from several modalities are pooled for auditory scene analysis, including sensory-motor cues related to the active exploration of the scene. We previously reported a strong effect of head motion on auditory streaming. Streaming refers to an experimental paradi...

Research into the perception and cognition of music listening often contains implicit assumptions about the nature of the underlying mental representations, and about the relationship between "auditory processing" and "music perception". We attempt to highlight and problemitize some of these assumptions and to provide a more cognitively appropriate model for music perception and cognition, base...

The preceding three chapters have been concerned with the issues arising as a result of the inconvenient fact that our ears are rarely presented with the sound of a single speaker in isolation, but more often with a combination of several speech and nonspeech sounds which may also have been further altered by the acoustic environment. Faced with such a mixture, the listener evidently needs to c...

This paper reports on the architecture and performance of a creative artificially-intuitive and reasoning agent (CAIRA) as an improviser and conductor for improvised avant-garde music. The agent’s listening skills are based on a music recognition system that simulates the human auditory periphery to perform an Auditory Scene Analysis (ASA). Its simulation of cognitive processes includes a cogni...