Kareem Lowaymi Mutlaq
Shahid Chamran University of Ahvaz
[ 1 ] - In the Beginning, Middle, and End There Was a Garden: Bahram Sadeqi’s Malakut
It seems impossible to think of the Persian art without mentioning the significant presence of gardens. They are present in miniature painting, architecture, and literature. One of the modern works of Persian fiction in which gardens play a significant role is Malakut (1961), a novella by the modern Iranian fiction writer Bahram Sadeqi (1936-1984). The story of this novella begins in a “green g...
[ 2 ] - Nader and Simin—A Separation: A Deconstructive Reading
Nader and Simin—A Separation is the first Iranian movie which won manyinternational awards as well as admiration from critics and the public. Many reviewsby critics, however, have revolved around problems in spousal relationships ofcouples in different social classes of Iran. Through highlighting the self-evidentdismantling elements and unreliable readings in the acting, directing, and even the...
[ 3 ] - Another Look at the Hypocrisy of Chaucer’s Pardoner
For us, readers of Chaucer living in an age when appeal to religious passions and sentiments as a means for the realization of worldly objectives by some charlatans has grown significantly, reviewing the theme of religious hypocrisy treated in The Canterbury Tales can be useful in a way that it proves a helpful means for recognizing and dealing with the hypocrites. The Pardoner of the Tales is ...
[ 4 ] - بررسی استعارۀ تعاملی ماکس بلک
بر مبنای نظریۀ استعارۀ ماکس بلک، واژه‌ها در یک عبارت استعاری با یکدیگر تعامل می‌کنند تا معنایی تولید کنند که حاصل این تعامل است.بلک این تعامل را به‌عنوان تعاملی بین چارچوب و کانون استعاره تحلیل می‌کند که در آن، چارچوب با ارائۀ یک بستر منحصربه‌فرد برای کانون، نوعی گسترش معنایی بر کلمۀ کانونی تحمیل می‌کند. کلمۀ کانونی نیز از این تعامل، معنای تازه‌ای کسب می‌کند. نظریۀ بلک باوجود ارائۀ نکات ارزشمند...
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