Moghtadaie, nikoo
university of Mazandaran
[ 1 ] - A Comparison of Meaningful Structure of Paintings and Social Class of Artists in the Illumination of the Great Shahnama of Ilkhanid and SAMAK-E AYAR
In this paper, the images of two manuscripts of Ilkhanid dynasty Great Shahnama and Samak-e- Ayyar of Ale- Injoo have been studied in terms of sociology of art. both of these works are related to the late Ilkhanid dynasty of the 8th century. Socially, the late Ilkhanid era was a time when the dissatisfaction of various Iranian classes had reached its peak and the power of the Mongolian Ilkha...
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