Rahimi Pordanjani, Hanif
Assistant Professor, Faculty of Art and Architecture, Yazd University, Yazd, Iran
[ 1 ] - Two Attitudes toward Art History: A Comparative Study of Philosophy of Art History of Qādī Ahmad Qomi and Giorgio Vasari in “Golestān-e Honar” and “Lives f the Artists”
Up to now, about the first art history as we know today, i.e "Golestān-e Honar" by Qādī Mir Ahmad Qomi and "Lives of the Artists" by Giorgio Vasari, different researches and studies from different aspects of bibliographical, historical and literary has been done. But what has been neglected is a broader and deeper view into the epistemic foundation and theoretical frame of historiography and vi...
[ 2 ] - The Representation of European Landscapes in Later Safavid Painting
From the middle of the Safavid era, with the expansion of relations with the West, European landscapes were used in various ways in the composition of paintings called “FARANGI-SAZI”. In this article, by adopting a hermeneutic approach, the epistemological context necessary for the emergence of “landscape painting” as an independent genre in European painting has been studied and then the trans...
[ 3 ] - Legitimizing Art in the Prefaces of Tīmūrīd and Safavīd Albums
In addition to the numerous goals mentioned for Albums Prefaces, they were also an opportunity for writers and artists to defend the existence of art and artist. The present study tries to pay attention to this part of the albums prefaces and answer the question that what methods did the authors of the albums prefaces in the Tīmūrīd and Safavīd periods use to legitimize art? The purpose of this...
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