وندشعاری, علی
دانشکده فرش، دانشگاه هنر اسلامی تبریز
[ 1 ] - مطالعه تطبیقی ساختار طرح و نقش قالی های شاهسون ایران شمال غرب، مرکز و جنوب
Shahsevan nomads live in Northwest of Iran. This tribe was established in Safavid era which is one of the magnificent periods in the Iranian history, as a powerful army by Shah Abbas I to support Ghezelbash soldiers as the strong defending forces of the country to encounter the foreign powers. The tribe was scattered in different historical periods to settle in different areas such as the centr...
[ 2 ] - بررسی ادبیات غنایی در فرش های تصویری دوره قاجار (مطالعه موردی: داستان های بهرام گور)
قالیهای تصویری، گروه نسبتاً بزرگی از قالیهای دوره قاجار را تشکیل میدهند. در این میان تعداد قابلتوجهی از آنها تصویرگر ادبیات غنی ایران هستند؛ دسته گستردهای از قالیهای تصویری قاجار این مفهوم را با بهرهگیری از خط نگارهها، تجلی بخشیدهاند. این مقاله ضمن معرفی عوامل زمینهساز و مؤثر بر روند تصویرگری در قالیهای قاجار، به معرفی و بررسی دستهای از قالیهای تصویری با مضامین و موضوعات ادبی که ا...
[ 3 ] - مطالعه قالیهای درویشی دوره قاجار با تأکید بر قالیهای نورعلیشاهی
Abstarct: Qajar rugs are among the richest treasures of Iranian art. In these carpets , specific kind of design and new usage were created. Motifs of these group of qajar carpets not only were affected by various literary and storied themes but also reflected by religious and mystical themes. In this way, we can mention carpets of spiritual characters and darvishes. Weaving of darvish ‘s fac...
[ 4 ] - The Study of the Formal Structure of Pattern and Design of Yek-sar Nazem Rugs of Fars Province from Qajar Era to the Contemporary Period
In the domain of rural and nomadic carpet weaving of Fars Province, there are various common patterns and designs. One of these famous patterns is called Yeksar Nazem which, in the past, solely belonged to Qashqai and Kashkouli tribes but, at present, is popular in other areas of Fars Province as well. The main feature of this pattern is its general structure and elements which have been skepti...
[ 5 ] - Comparative Study of the Form and Motif of Metal and Glassware in the 5th and 6th Centuries AH
During the Seljuk Period, Iran witnessed a socio-political stability which resulted in the expansion of various art forms including metal and glassware. The production of utility metal dishes with a good quality received high importance. The geographical, chronological and practical overlap of these utensils led to various similarities in form and motif of metal and glassware in the Seljuk peri...
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