The Poetics of Body: Representing Cultural Imaginations in Yang Jung-Ung’s "A Midsummer Night’s Dream"
نویسندگان
چکیده
This article explores the psychology that motivates Yang Jung-Ung and his actors in process of translating Shakespeare’s A Midsummer Night’s Dream into a Korean style. By focusing on ways showing theme play modern styles fused with traditional modes theatrical practice, director attempts to develop own expression communicate audience. In this process, reconstructs dialogues between characters rather than rely heavily text language. For reason, production has often been criticised for missing poetry. However, beauty poetry is not only language itself, but it mental how artist audiences understand translate its meaning their cultural contexts. includes great deal imagery provides artists concrete information constructing stage mise-en-scène. Yang’s production, expressed through visual images created by performer’s physical bodies, which reflects director’s interpretation context. analysing performers’ movements, studies perceives relation context presents unique vision play.
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ژورنال
عنوان ژورنال: Multicultural Shakespeare
سال: 2022
ISSN: ['2300-7605', '2083-8530']
DOI: https://doi.org/10.18778/2083-8530.25.06